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Earthquake Hazard, Risk, and Disasters presents the latest scientific developments and reviews of research addressing seismic hazard and seismic risk, including causality rates, impacts on society, preparedness, insurance and mitigation. The current controversies in seismic hazard assessment and earthquake prediction are addressed from different points of view. Basic tools for understanding the seismic risk and to reduce it, like paleoseismology, remote sensing, and engineering are discussed.

• Contains contributions from expert seismologists, geologists, engineers and geophysicists selected by a world-renowned editorial board
• Presents the latest research on seismic hazard and risk assessment, economic impacts, fatality rates, and earthquake preparedness and mitigation
• Includes numerous illustrations, maps, diagrams and tables addressing earthquake risk reduction
• Features new insights and reviews of earthquake prediction, forecasting and early warning, as well as basic tools to deal with earthquake risk

• Sales Rank: #1316620 in Books
• Published on: 2014-07-24
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x 1.50" l, 2.42 pounds
• Binding: Hardcover
• 606 pages

From the Back Cover

Earthquake Hazard, Risk and Disasters

Series Editor: Jack Shroder

Volume Editor: Max Wyss

Earthquake Hazard, Risk and Disasters presents the latest scientific developments and reviews of research addressing seismic hazard and seismic risk, including causality rates, impacts on society, preparedness, insurance and mitigation. The current controversies in seismic hazard assessment and earthquake prediction are addressed from different points of view. Basic tools for understanding the seismic risk and to reduce it, like paleoseismology, remote sensing, and engineering are discussed. In particular, problems surrounding construction limitations and practices in developing countries are examined.

KEY FEATURES

Contains contributions from expert seismologists, geologists, engineers and geophysicists selected by a world-renowned editorial board.

Presents the latest research on seismic hazard and risk assessment, economic impacts, fatality rates, earthquake preparedness, mitigation and recovery.

Includes more than 50 illustrations, maps, diagrams and tables addressing earthquake risk reduction.

Features new insights and reviews of earthquake prediction, forecasting and early warning, as well as basic tools to deal with earthquake risk, like remote sensing, paleoseismology, and insurance.

Earthquake Hazard, Risk and Disasters, one of nine volumes in Elsevier's Hazards and Disasters series, covers problems caused by earthquakes and discusses the current thinking about engineering and social issues, such as how earthquake disasters can affect lives and impact property.

Titles in the Hazards and Disasters series:

Hydro-Meteorological Hazards, Risks and Disasters

Volcanic Hazards, Risks and Disasters

Landslide Hazards, Risks and Disasters

Earthquake Hazard, Risk and Disasters

Sea & Ocean Hazards, Risks and Disasters

Snow and Ice-Related Hazards, Risks and Disasters

Wildfire Hazards, Risks and Disasters

Biological and Environmental Hazards, Risks and Disasters

Hazards, Risks and Disasters in Society

About the Author
Jack Shroder is an Editor-in-Chief at Elsevier, and has extensive experience with publishing peer-reviewed journal articles and books on numerous topics related to geomorphology and Afghanistan, among many other specialties. He is the author of over 200 scientific papers and books on geoscientific topics characteristic of high mountain environments, especially landslides, glaciers, and floods.

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[Q153.Ebook] Ebook Download Why We Fail: Learning from Experience Design Failures, by Victor Lombardi

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Just as pilots and doctors improve by studying crash reports and postmortems, experience designers can improve by learning how customer experience failures cause products to fail in the marketplace. Rather than proselytizing a particular approach to design, Why We Fail holistically explores what teams actually built, why the products failed, and how we can learn from the past to avoid failure ourselves.

• Sales Rank: #1102572 in Books
• Published on: 2013-07-30
• Binding: Paperback
• 248 pages

Review
The stories behind failures make for fascinating reading. But this book offers more. It provides important insights into both what can go right and what can go wrong in a product offering. To make great products, we need to understand what makes some fail and others succeed. To all the aspiring, young entrepreneurs who are reading this: take heed. Embrace failure to learn from failure. Learn from failure to avoid failure. --Don Norman Co-founder, Nielsen Norman Group Author of The Design of Everyday Things (Revised and Expanded)

Success feels great. But beyond the fleeting sensation of good will, what does it tell you? Failure, on the other hand, provides a gold mine of insights that can help you do better in the future if you're willing to do the hard work required to evaluate why things went wrong. Victor's book provides a useful guide, with lots of examples that make it clear that you're not alone in screwing up. --Karen McGrane, author of Content Strategy for Mobile

Success is boring. Failure is much more interesting--and instructive. In this practical and well-researched book, Victor Lombardi presents a series of vignettes about design projects gone wrong. He wisely avoids the temptations of schadenfreude, however, instead transforming these cautionary tales into useful lessons for the modern designer. --Alex Wright, Director of User Experience, The New York Times

Success feels great. But beyond the fleeting sensation of good will, what does it tell you? Failure, on the other hand, provides a gold mine of insights that can help you do better in the future if you're willing to do the hard work required to evaluate why things went wrong. Victor's book provides a useful guide, with lots of examples that make it clear that you're not alone in screwing up. --Karen McGrane, author of Content Strategy for Mobile

Success is boring. Failure is much more interesting--and instructive. In this practical and well-researched book, Victor Lombardi presents a series of vignettes about design projects gone wrong. He wisely avoids the temptations of schadenfreude, however, instead transforming these cautionary tales into useful lessons for the modern designer. --Alex Wright, Director of User Experience, The New York Times

About the Author
Victor helps organizations design products and build businesses that offer the best possible consumer experience. He does this by combining his liberal arts education and technology industry work into a perspective that is both practical and human. Victor began his career in IT on the help desk, where he daily witnessed poor design and helped customers overcome it. Progressing to system administrator, he learned how networks, servers, and websites actually work by building them. Transitioning to become an interface designer, he worked for a decade contributing to more than 40 software and Internet products for organizations such as General Electric, Cisco, J.P. Morgan, and the Southern Poverty Law Center. He's coached teams at Reed Elsevier and Rodale through the entire product development process, and helped turn around a failing media business at Fox Mobile Group through the development of a new web platform and mobile apps. He's passionate about learning and sharing what he learns: He earned a master's degree in music technology from New York University and a bachelor's degree in journalism from Rutgers University, co-founded the Information Architecture Institute and the Overlap conference, and taught at the Parsons School of Design and the Pratt Institute. He's also written a book, Why We Fail: Real Stories and Practical Lessons from Experience Design Failures. Finally, Victor walks the walk by developing his own product, Nickel, with the goal of making personal financial planning accessible to everyone.

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3 of 3 people found the following review helpful.
A Must Read for All Marketers and Designers!
By vincent lombardi
A logically written book that will aid all product designers,project managers, product managers, general managers, and marketers in their quest to create useful and profitable product offerings.The book offers valuable lessons learned through failure and the common sense solutions to succeed. The summaries at the end of each chapter, the real life failure stories, and the excellently detailed approach to the subject matter made this book an enjoyable and interesting read.

1 of 1 people found the following review helpful.
Learning from Others Mistakes is Much Easier.
By Timothy Coats
Great review of the nature of failure and how even great companies and great people have and will continue to fail. One of the more important realization that are discussed is that everything really is about the experience. That is what the customer is looking for.

4 of 4 people found the following review helpful.
How to Fail Better
By Michael A Dila
There are way too many platitudes about failure these days. Embracing failure is a pop-y truism, but feels like counter-intuitive nonsense to many. The best voices in that chorus want us to risk bold things and know that though failures await us, that they should not deter us, should not prevent us from being ambitious.

But failure can also be paralyzing and devastating. To paraphrase Frank Herbert: Failure is the mind killer. And for creative people and entrepreneurs, a mind is a terrible thing to see wasted by crushing failure.

So it is a very, very, good thing that Victor Lombardi has written such a smart, generous and accessible book about what we can learn from failure and how.

The humble premise of Lombardi's book is that failure is unavoidable. His hopeful conclusion is that it never needs to be fatal.

A great deal of Victor's book concerns the emergence of practices and methodology that help to include considerations of customer and user experience into the design process rather than in the forensic analysis of product and market failure. All this, and in-depth examples in chapters that take less than 30 minutes to read. There is amazing and deeply empathetic economy at work here.

The work in this fine book belongs to the new literature on improving entrepreneurial outcomes that includes Alex Osterwalder (Business Model Generation: A Handbook for Visionaries, Game Changers, and Challengers), Steve Blank (The Startup Owner's Manual: The Step-By-Step Guide for Building a Great Company), Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses) and the Lean start-up movement. Not that either examples or the lessons are limited to start-up entrepreneurship. To the contrary, there is much for corporate product and service innovators here as well.

If you want a smart, practical and useable guide to the skills at the intersection of design and business and a treasure trove of insight from the most instructive kinds of failure, you must read Why We Fail.

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Hugh Dennis has secretly been worrying about what being "British" meant for nearly a decade, ever since his friend Ardal O'Hanlon had told him in passing that he was the most British person he had ever met. Hugh was unclear whether he was being praised, teased, vaguely insulted or possibly all three - because it has always been very difficult to know how to feel about being British.

And then the London Olympics came along. We gave the world a gleaming new vision of Britain; a smiling Britain of achievement, a Britain responsible for leading the world into the modern era through the Agrarian and Industrial revolutions, a nation proud to embrace multi-culturalism, individuality, and eccentricity. A country where a major politician can dangle helplessly from a zip wire like a discarded straw dolly and gain in popularity, and whose Queen can send herself up and then descend by parachute.

The unexpected legacy of the Games has been a Britain with a new found self-confidence in which we all know how to be British. A Britain which should be embarrassed by nothing and proud of everything, from sheep to chimneys to the Spice Girls to industrial action and what had always previously been described as our "ailing transport network". A Britain which having been pinned firmly in its own half, has dribbled the length of the field, nutmegged the defenders, unleashed a curling dipping shot into the top right hand corner, scored a wonder goal and is now kissing the badge.

This is Hugh Dennis' exploration of the changing image of Britain and Britishness.

• Sales Rank: #4535272 in Books
• Published on: 2013-07-02
• Released on: 2013-07-02
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 5.25" l, .65 pounds
• Binding: Paperback
• 320 pages

Review
What do they of England know, that only England know? Kipling asked. Writing about your own country is the hardest thing to do. Hugh Dennis has inspected our sceptred isle and remorselessly scoured it inside out and come up with a funny, hilariously satirical, but warm and brilliantly observed portrait of our complicated, ridiculous but loveable country. Utterly readable and laugh out loud funny.―Stephen Fry

An archetypal British book: very funny, genuinely informative, and, most importantly, makes you forget what you're actually doing on the toilet.―David Baddiel

Funny and interesting. The best guide to Britain since the 1976 AA Road Atlas.―John O'Farrell

I wish people had written funny books like this about boring things when I was a kid. I might be a history professor by now. Hugh Dennis has written a funny and entertaining book... it passed through my eyes and into my brain so easily and for once the information didn't come right out of my ears within seconds. Lots of laughs and much more than quite interesting.―Jo Brand

About the Author
Hugh Dennis is an award-winning writer, actor and comedian best known for weekly satirical panel show Mock The Week, Radio 4's The Now Show and BBC sit-com Outnumbered. He lives in Sussex with his real wife and his real children. To their annoyance he is interested in almost everything. He reads, runs, cycles, and is a Fellow of the Royal Geographical Society.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Funny intelligent read.
By Michele Tanner
Great read, funny, witty book. anyone having grown up in Britain will love this easy read book. I prefect gift.

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• Sales Rank: #3076783 in Books
• Published on: 1994-07-14
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .48" w x 6.88" l,
• Binding: Paperback
• 224 pages

From Library Journal
This marvelous new installation to the revamped "Pelican Shakespeare" series contains both the original 1608 version as big Will wrote it and the 1623 scaled-down and reworked version with which we are all familiar. If that wasn't enough, this edition also sports a scholarly introduction and notes on the texts. All that for less than the price of lunch at McDonald's makes this a remarkable bargain for all academic and public libraries. Don't play the fool; buy this.
Copyright 2000 Reed Business Information, Inc.

Review
Praise for "William Shakespeare: Complete Works"
"A remarkable edition, one that makes Shakespeare's extraordinary accomplishment more vivid than ever."
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From the Publisher
A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings--as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering.

Most helpful customer reviews

27 of 27 people found the following review helpful.
FOLGER Shakespeare Library Edition of the Tragedy of King Lear BETTER THAN EXPECTED!
By Love Thy Enemy
I have reviewed several current editions of King Lear and other Shakespearean plays, and was somewhat disappointed in the Folger edition of King Richard III. Nevertheless, the Folger Shakespeare Library edition of King Lear appears to be both accessible and scholarly, with solid reasoning behind its balance of the First Quarto with the First Folio versions of this intense and telling tragedy which we do well to revisit now.

My first love will always be Prof. Tucker Brook's redaction in the The Tragedy Of King Lear (The Yale Shakespeare) which against the academic preferences of the time chose the First Quarto over the First Folio. The reasons given by the Late Prof. are compelling, and brought about a generation of conflated editions which combined the two versions. The Quarto came first in publication, of course, and is longer; the Folio is later and does not contain several lines present in the Quarto (I believe about three hundred) yet introduces several (perhaps one hundred) of its own.

And so we have a generation of productions which sought to combine the two. For instance we have an early recording of Paul Scofield as the King using a conflated edition and a later recording from his eighties in which only the Folio is used: King Lear (Naxos AudioBooks), following as it states the The Tragedy of King Lear (The New Cambridge Shakespeare), a strictly First Folio presentation. The greatest available recording is of course the Branagh - Gielgud production King Lear (BBC Radio Presents) which must be purchased and repeatedly heard, as it is real. Be certain to get the accompanying brochure.

Be that as it may, with this brief description of the history of this tortured text, let me state this present edition from Folger presents solid reasons for its always arbitrary choices. While stating their preference for the First Folio edition, they actually publish here a conflated version, with variant readings in a variety of brackets and poiinted parentheses, with explanations. They have produced therefore something here of great value, yet at a small price and therefore accessible to any classroom, production company or reader.

As usual the Folger diverges from the usual Critical Edition format of a third of a page of text, a strip of variorum and a third of a page of notes to the text above. Folger correctly fids more readable a diptych approach. In opening the book to the play, the reader discovers on the right hand page the text and on the left hand page notes. Further specific notes are discovered in the back.

In short (if it is not too late to write that) this book may approach any other critical edition, and passes many (let us not mention the unfortunate Joe Pearce's attempt). It presents a thorough examination of Shakespeare's life and theatre, suggestions on reading "his" language, and on reading Lear, this great tragedy for our times. A critical essay by Susan Snyder is included in the back, as well as suggestions for further readings. I find this edition in brief very useful for any new scholar of Lear, and I only wish I could now afford the new King Lear: New Critical Essays (Shakespeare Criticism), or even Critical Essays on Shakespeare's King Lear (Critical Essays on British Literature), and the rest.

1 of 1 people found the following review helpful.
Sir Alec Guiness's BBC radio recording of King Lear may be adequate for those familiar with this great play for our day
By Love Thy Enemy
If you have already carefully read the play, and seen various presentations, this ancient BBC radio recording may prove an adequate and refreshing version. There are jarring interludes of Stravinsky-inspired music which may now seem anachronistic or otherwise out of place, rather than tragically atmospheric, but you may find as well redeeming qualities within this recording.

For one we do not find the monotone reedy Guiness voice familiar from his films, but a broad spectrumed and robust rendition of the mighty (and tragic) character of Lear. I find nevertheless the voicings of the Fool unfortunately most often nearly indistinguishable from the young gentlemen, and the voicings of the royal women barely distinguishable one from the other, even Cordelia. Although this may seem a prerequisite for any radio presentation in which only aural cues are possible, anyone reading along, for instance in the venerable and traditional and reliable King Lear (Arden Shakespeare) edition, or intimately familiar with this ancient fable may be able to distinguish well who speaks when. Otherwise it can grow incomprehensibly, dismayingly, even discouragingly confusing.

Thus you may find here an adequate aural presentation of this play. You may also wish to hear the great Paul Scofield as King Lear (Naxos AudioBooks). Audio recordings by Gielgud, etc. are also available, but this serves as a good place to start and not too greatly eviscerated, even if our eyes are plucked out and we must hear only, nosing our way to Dover. Certainly an excellent tragedy to revisit as we find a mad old man approaching the throne and a woman in the waiting.

0 of 0 people found the following review helpful.
drama was the visual arts for groundlings and other humans now we have Ian Pollock
By Love Thy Enemy
When I was a kid we had Illustrated Classics on the Comics page.

Even the Bible.

This is not that old pompous and dull and really dumb Illustrated Classics

This is King Lear, integrally, and real.

The death of Cordelia is as effective here as anywhere else. Is it Will or is it Ian.

Or both?

Read this book. It is not a waste. Do not look down upon it in your pretensions. It is like great theatre in your hand. Do not be embarrassed. Do not be ashamed. This book gets it across, and carries as much of the text as you will find anywhere else outside of King Lear (Arden Shakespeare) or The Oxford Shakespeare: The History of King Lear (The Oxford Shakespeare), and it brings it with a driving force, a living power, straight to the heart and the mind.

So the characters appear to be caricatures, with Edmund especially a rather Karloff Frankenstein demeanor, but with the eloquence as originally written by Shelley. Will wrote them rather as caricatures, yet compelling. Read this book. It will be a great comfort, a revelation, a great friend. And greatly informative for our own curious times.

The introduction itself is brilliant and worth the small price of admission. You find herein all that is within Lear, and more. A brilliant supplement to your essential King Lear (Norton Critical Editions) and The Tragedy of King Lear (The New Cambridge Shakespeare) in any case! Hide it within those tomes in class; bring it alone to bed afterwards! Learn here Lear.

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