Free PDF King Lear (Oxford School Shakespeare Series), by William Shakespeare
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King Lear (Oxford School Shakespeare Series), by William Shakespeare
Free PDF King Lear (Oxford School Shakespeare Series), by William Shakespeare
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The latest addition to this series. It is fully annotated, with the notes facing the text, and contains a wide range of questions for students, as well as the background to Shakespeare's England. This book is intended for age 14 - 16.
- Sales Rank: #3076783 in Books
- Published on: 1994-07-14
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .48" w x 6.88" l,
- Binding: Paperback
- 224 pages
From Library Journal
This marvelous new installation to the revamped "Pelican Shakespeare" series contains both the original 1608 version as big Will wrote it and the 1623 scaled-down and reworked version with which we are all familiar. If that wasn't enough, this edition also sports a scholarly introduction and notes on the texts. All that for less than the price of lunch at McDonald's makes this a remarkable bargain for all academic and public libraries. Don't play the fool; buy this.
Copyright 2000 Reed Business Information, Inc.
Review
Praise for "William Shakespeare: Complete Works"
"A remarkable edition, one that makes Shakespeare's extraordinary accomplishment more vivid than ever."
-James Shapiro, professor, Columbia University, bestselling author of "A Year in the Life of Shakespeare: 1599"
"Two eminent Shakespeareans . . . have applied modern editing techniques and recent scholarship to correct and update the First Folio. . . . Superb."
"-The New York Times"
"A feast of literary and historical information."
"-The Wall Street Journal"
"I look forward to using it over many years, enjoying Bate's perceptive comments, trusting Rasmussen's textual scholarship."
-Peter Holland, president of the Shakespeare Association of America and editor of "Shakespeare Survey"
"From the Trade Paperback edition."
From the Publisher
A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings--as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering.
Most helpful customer reviews
27 of 27 people found the following review helpful.
FOLGER Shakespeare Library Edition of the Tragedy of King Lear BETTER THAN EXPECTED!
By Love Thy Enemy
I have reviewed several current editions of King Lear and other Shakespearean plays, and was somewhat disappointed in the Folger edition of King Richard III. Nevertheless, the Folger Shakespeare Library edition of King Lear appears to be both accessible and scholarly, with solid reasoning behind its balance of the First Quarto with the First Folio versions of this intense and telling tragedy which we do well to revisit now.
My first love will always be Prof. Tucker Brook's redaction in the The Tragedy Of King Lear (The Yale Shakespeare) which against the academic preferences of the time chose the First Quarto over the First Folio. The reasons given by the Late Prof. are compelling, and brought about a generation of conflated editions which combined the two versions. The Quarto came first in publication, of course, and is longer; the Folio is later and does not contain several lines present in the Quarto (I believe about three hundred) yet introduces several (perhaps one hundred) of its own.
And so we have a generation of productions which sought to combine the two. For instance we have an early recording of Paul Scofield as the King using a conflated edition and a later recording from his eighties in which only the Folio is used: King Lear (Naxos AudioBooks), following as it states the The Tragedy of King Lear (The New Cambridge Shakespeare), a strictly First Folio presentation. The greatest available recording is of course the Branagh - Gielgud production King Lear (BBC Radio Presents) which must be purchased and repeatedly heard, as it is real. Be certain to get the accompanying brochure.
Be that as it may, with this brief description of the history of this tortured text, let me state this present edition from Folger presents solid reasons for its always arbitrary choices. While stating their preference for the First Folio edition, they actually publish here a conflated version, with variant readings in a variety of brackets and poiinted parentheses, with explanations. They have produced therefore something here of great value, yet at a small price and therefore accessible to any classroom, production company or reader.
As usual the Folger diverges from the usual Critical Edition format of a third of a page of text, a strip of variorum and a third of a page of notes to the text above. Folger correctly fids more readable a diptych approach. In opening the book to the play, the reader discovers on the right hand page the text and on the left hand page notes. Further specific notes are discovered in the back.
In short (if it is not too late to write that) this book may approach any other critical edition, and passes many (let us not mention the unfortunate Joe Pearce's attempt). It presents a thorough examination of Shakespeare's life and theatre, suggestions on reading "his" language, and on reading Lear, this great tragedy for our times. A critical essay by Susan Snyder is included in the back, as well as suggestions for further readings. I find this edition in brief very useful for any new scholar of Lear, and I only wish I could now afford the new King Lear: New Critical Essays (Shakespeare Criticism), or even Critical Essays on Shakespeare's King Lear (Critical Essays on British Literature), and the rest.
1 of 1 people found the following review helpful.
Sir Alec Guiness's BBC radio recording of King Lear may be adequate for those familiar with this great play for our day
By Love Thy Enemy
If you have already carefully read the play, and seen various presentations, this ancient BBC radio recording may prove an adequate and refreshing version. There are jarring interludes of Stravinsky-inspired music which may now seem anachronistic or otherwise out of place, rather than tragically atmospheric, but you may find as well redeeming qualities within this recording.
For one we do not find the monotone reedy Guiness voice familiar from his films, but a broad spectrumed and robust rendition of the mighty (and tragic) character of Lear. I find nevertheless the voicings of the Fool unfortunately most often nearly indistinguishable from the young gentlemen, and the voicings of the royal women barely distinguishable one from the other, even Cordelia. Although this may seem a prerequisite for any radio presentation in which only aural cues are possible, anyone reading along, for instance in the venerable and traditional and reliable King Lear (Arden Shakespeare) edition, or intimately familiar with this ancient fable may be able to distinguish well who speaks when. Otherwise it can grow incomprehensibly, dismayingly, even discouragingly confusing.
Thus you may find here an adequate aural presentation of this play. You may also wish to hear the great Paul Scofield as King Lear (Naxos AudioBooks). Audio recordings by Gielgud, etc. are also available, but this serves as a good place to start and not too greatly eviscerated, even if our eyes are plucked out and we must hear only, nosing our way to Dover. Certainly an excellent tragedy to revisit as we find a mad old man approaching the throne and a woman in the waiting.
0 of 0 people found the following review helpful.
drama was the visual arts for groundlings and other humans now we have Ian Pollock
By Love Thy Enemy
When I was a kid we had Illustrated Classics on the Comics page.
Even the Bible.
This is not that old pompous and dull and really dumb Illustrated Classics
This is King Lear, integrally, and real.
The death of Cordelia is as effective here as anywhere else. Is it Will or is it Ian.
Or both?
Read this book. It is not a waste. Do not look down upon it in your pretensions. It is like great theatre in your hand. Do not be embarrassed. Do not be ashamed. This book gets it across, and carries as much of the text as you will find anywhere else outside of King Lear (Arden Shakespeare) or The Oxford Shakespeare: The History of King Lear (The Oxford Shakespeare), and it brings it with a driving force, a living power, straight to the heart and the mind.
So the characters appear to be caricatures, with Edmund especially a rather Karloff Frankenstein demeanor, but with the eloquence as originally written by Shelley. Will wrote them rather as caricatures, yet compelling. Read this book. It will be a great comfort, a revelation, a great friend. And greatly informative for our own curious times.
The introduction itself is brilliant and worth the small price of admission. You find herein all that is within Lear, and more. A brilliant supplement to your essential King Lear (Norton Critical Editions) and The Tragedy of King Lear (The New Cambridge Shakespeare) in any case! Hide it within those tomes in class; bring it alone to bed afterwards! Learn here Lear.
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